Director Chung Ji-Young criticizes the thought that older directors have difficulties in making certain movies. Actress Yoon Jin-Seo agonizes over her identity as an actress. In 2009, before the movie "Unbowed" was made, they met and planned a documentary about Korean movies, including the processes a Korean movie goes through and difficulites. "Ari Ari the Korean Cinema" is a documentary with interviews of Korean directors, actors and actresses.

Right in the middle of a school inspector’s visit, Ari, a 27-year-old student teacher, collapses. Angry with him for being a failure, his father kicks him out of the house. Emotionally raw, and alone in the city, Ari reluctantly forces himself to rekindle his relationships with old friends. As his memories of the previous months successively ebb and flow, Ari discovers that other people aren’t doing as well as he imagined, and that perhaps he has been sleepwalking through his own life.

Five years after a father's death, the Múgicas face a strange situation with a death threat hidden in a plate of pork. To save their lives, they must work together to uncover the father's troubles and solve the case, allowing them to return to a happily unified family.

A troubled photographer, Per Heimly- and a the man who married the Princess of Norway, Ari Behn, explores the world. They travel all over the world to meet other cultures, face obstacles and get to know new people. Together they laugh,smile and cry.

Ari Melber delivers the biggest political and news stories of the day, with interviews and original reporting from around the nation. An Emmy-winning journalist, attorney and former Senate staffer, Melber cuts through the spin and the noise to tell you what's really happening. Real news, every night.

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Discover the roots of Korean cinema. A cinema who surprised by the success recorded in the major international festivals. Interviews to five famous Korean directors, to get to know closely the evolution of Korean cinema. Through their words, their pictures and their stories. The Korean cinema has tendency to describe both the society, the past and the modern. The world of west cinema knows these directors through the journey of some of their movies. What do we know about their thoughts, their life, their culture and their way of working? The documentary focus on it.

Discover the roots of Korean cinema. A cinema who surprised by the success recorded in the major international festivals. Interviews to five famous Korean directors, to get to know closely the evolution of Korean cinema. Through their words, their pictures and their stories. The Korean cinema has tendency to describe both the society, the past and the modern. The world of west cinema knows these directors through the journey of some of their movies. What do we know about their thoughts, their life, their culture and their way of working? The documentary focus on it.

South Korean cinema is in the throes of a creative explosion where mavericks are encouraged and masters are venerated. But from where has this phenomenon emerged? What is the culture that has yielded this range of filmmakers? With The Nine Lives of Korean Cinema, French critic, writer and documentarian Hubert Niogret provides a broad overview but, nevertheless, an excellent entry point into this unique type of national cinema that still remains a mystery for many people. The product of a troubled social and political history, Korean cinema sports an identity that is unique in much modern film. Niogret's documentary tells of the country's cinematic history - the ups along with the downs - and gives further voice to the artists striving to express their concerns, fears and aspirations.

In the face of executives insisting on selling UFA, producer Kaufmann, infused with the same spirit as President Klitzsch, declares that they will make a low-budget entertainment film that the public is sure to love. Who will take on such an audacious task? When Kaufmann himself is shuttered, one man takes up the challenge—Theo Wegmann, an assistant director at UFA. Foreseeing the end of the age of silent films, Theo suggests making a talking movie with singing. If Hollywood can do it, so can we here in Berlin! With the condition that he gets to choose his cast and staff, Theo promises Kaufmann that he will produce a low-budget movie that will entertain everyone and be a major hit.